The importance of the shot list is that it helps us organised the camera shot, angle and movements in into each shot and with each actor in chronological order. This will help us when filming as we know all there is to know for each shot.
The shot list is essential for our film is a great way to improve the planning of our film.
For example, we have 5 separate locations that we are filming in therefore the shot list will help us to get all of our filming done in each location correctly and will minimize errors that could occur.
It’s an opportunity to see what our film will look like on the screen before starting to do the storyboard.
The shot list is essential for our film is a great way to improve the planning of our film.
For example, we have 5 separate locations that we are filming in therefore the shot list will help us to get all of our filming done in each location correctly and will minimize errors that could occur.
It’s an opportunity to see what our film will look like on the screen before starting to do the storyboard.
Shot No.
|
Shot Type
|
Actor
|
Description
|
Dialogue
|
1
|
Establishing Shot
|
N/A
|
Includes shot of main school
|
N/A
|
2
|
Establishing Shot
|
N/A
|
Fade from last shot to new shot of the sport pavilion (non- diegetic sound of bells ringing)
|
N/A
|
3
|
Long Shot
|
Kai
|
Includes a long shot of Kai in the corridor opening locker.
|
N/A
|
4
|
Tracking Out
|
Kai, Alisha, Sarah, Jermaine
|
Three friends walking towards Kai at lockers (MATCH ON ACTION)
|
N/A
|
5
|
Mid Shot
|
N/A
|
Over the shoulder of Kai talking to Sarah
|
Sarah – Hi Kai, Coming to class?
Kai – yeah, just one sec (pulls out book)
|
6
|
Tracking in
|
Alisha, Sarah, Jermaine, Kai
|
Four friends walking to their classroom. Shot ends at Alisha with door handle in hand
|
N/A
|
7
|
Long Shot
Bottom left corner of the room
|
Alisha, Sarah, Jermaine, Kai
|
The four friends walk into the classroom and each take a seat
|
Alisha – do you need some help Jermaine?
Jermaine – No thanks, I can manage
|
8
|
Close Up
|
N/A
|
Clock at 4pm
|
N/A
|
9
|
Close Up
|
N/A
|
Cross fade to clock being at 4.25pm with non-diegetic sound of clock ticking
|
N/A
|
10
|
Long Shot (Back to board)
|
Alisha, Sarah, Jermaine, Kai
|
Alisha turning left to talk to friends
|
Alisha – Do you guys wanna get something to eat
|
11
|
Two Shot
|
Sarah and Jermaine
|
Agreeing to Alisha’s question simultaneously
|
Sarah and Jermaine - Yeah
|
12
|
Over the shoulder (shot reverse shot with next scene)
|
Kai, Alisha, Sarah, Jermaine
|
Sarah turns around to talk to Kai
Whilst Jermaine and Sarah prepare to leave
|
Sarah – You coming Kai?
|
13
|
Reverse shot from prev. scene
(mid shot for 12 and 13)
|
Kai, Alisha, Sarah, Jermaine
|
Jermaine and Alisha are waiting at door while Kai answers back to Sarah
|
Kai – Nah I’m alright thanks
|
14
|
Long shot from opposite door
|
Alisha, Sarah, Jermaine
|
Three friends leaving in order of Jermaine, Alisha then Sarah then to fades to black
|
N/A
|
15
|
Mid Shot
|
Kai
|
Kai is studying with camera pointing towards Kai’s front.
|
N/A
|
16
|
Point Of View
|
Kai
|
Kai looks at the lights flickering on and off mysteriously.
|
N/A
|
17
|
Close Up
|
Kai
|
Kai’s face expresses how worried and confused he and when sentence is done, lights stop flickering
|
Kai – That’s weird
|
18
|
Over the shoulder from behind Kai
|
Kai
|
Kai spots the screen turning on automatically as he looks down from lights. Eerie pacey music
|
Kai – what the hell is going on?
|
19
|
Mid Shot from behind
|
Kai
|
Kai hears a very loud bang coming from behind him and quickly turns around (Match on action to next shot)
|
N/A
|
20
|
Mid shot of behind Kai, this time back to board
|
Kai
|
Looking in direction behind him to see what sound was
|
N/A
|
21
|
Long shot - Tracking in
|
Kai
|
Kai gets up from the chair and walks towards the direction of the bang
|
N/A
|
22
|
Point Of View Shot
|
Kai
|
Kai reading note on door as he takes it off the door with non-diegetic heart beats that continue to next shot
|
Kai – Do Not Enter?
|
23
|
Low Angle
|
Kai
|
Kai Reading note with confused facial expression then drops sheet
|
N/A
|
24
|
Point of view shot
|
Kai
|
Kai slowly open the door. Non diegetic squeaky door
|
N/A
|
25
|
Close Up
|
Kai
|
Kai’s face from other side or room with door slightly open
|
N/A
|
26
|
Extreme close up
|
Kai
|
Ad Kai shouts, camera moves towards Kai’s face to show pouncing effect with non-diegetic ghost screech to show the unknown attacking
|
N/A
|
27
|
Black screen with ending sound
|
N/A
|
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